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When it comes to evangelism, converting the sinner is God's part. Communicating the gospel is the preacher's part. But how is this done effectively? Professor of expository preaching Ramesh Richard offers pastors a simple, do-it-yourself resource for preparing and delivering evangelistic sermons. Incorporating a seven-step process, this book guides readers through the foundation, framework, method, and special issues of evangelistic preaching. With six appendices that provide relevant information, outlines, and checklists, Preparing Evangelistic Sermons is ideal for students of evangelism, preachers, and ministry leaders who seek a better way to proclaim Christ to others.

• Sales Rank: #1199755 in Books
• Brand: Brand: Baker Books
• Published on: 2005-10-01
• Original language: English
• Number of items: 1
• Dimensions: 8.75" h x .58" w x 6.00" l, .91 pounds
• Binding: Paperback
• 256 pages

Features

• Used Book in Good Condition

From the Back Cover
The most effective way to preach the Good News

When it comes to evangelism, converting the sinner is God's part. Communicating the gospel is the preacher's part. This simple, do-it-yourself resource guides preachers through the foundation, framework, method, and special issues of preaching salvation, including

� the divine call to Christian proclamation
� types of evangelistic ministry
� relevant issues for evangelistic and pre-evangelistic preaching
� ideas for delivering sermons based on text, audience, or topic

You'll also find helpful appendices, outlines, and checklists for pastors, seminarians, and church leaders.

"Genuine help and biblical insight from a seasoned preacher who has walked these steps before. This is a theme very dear to my heart addressed by one who has demonstrated this gift and calling all over the world."--Ravi Zacharias, speaker; author of Jesus Among Other Gods

"The gospel hasn't changed in nearly two thousand years. It's still the transforming power of Jesus Christ! In this book, Dr. Richard shows how to preach the gospel humbly, prayerfully, biblically, expectantly. May God change lives as you proclaim that Good News!"--Luis Palau, evangelist; author of High Definition Life


Ramesh Richard, (ThD, Dallas Theological Seminary, PhD, University of Delhi) leads Ramesh Richard Evangelism and Church Helps (RREACH) International and teaches expository preaching at Dallas Theological Seminary. He lives in Texas.

About the Author
Ramesh Richard, (ThD, Dallas Theological Seminary, PhD, University of Delhi) leads Ramesh Richard Evangelism and Church Helps (RREACH) International and teaches expository preaching at Dallas Theological Seminary. He lives in Texas.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Richard is very thorough in assigning steps for Preparing Evangelistic ...
By Richard Spivey
Richard is very thorough in assigning steps for Preparing Evangelistic Sermons. In fact, he has inspired me to preach more evangelistically to bring the lost soul into the fold of Christ. This is a must read for every preacher.

0 of 0 people found the following review helpful.
A Very Present help in my desire to preach within ...
By Terry Nelson
A Very Present help in my desire to preach within the text transcending the biblical culture to our modern day culture and society.

0 of 2 people found the following review helpful.
A Great Ministry Tool
By Charles E. Jordan Jr.
Richard helps you to see how evangelistic sermons are needed. This book is well formated and gives clarity on how to structure effective evangelistic sermons. Christ saved us that we may reach the lost; therefore, we need to know how to reach the lost effectively. Thanks Ramesh Richard for writing this book.

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[H721.Ebook] Ebook Free The Book of 101 Opera Librettos: Complete Original Language Texts with English TranslationsFrom Black Dog & Leventhal Publishers

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The most comprehensive one-volume collection of unabridged opera lyrics ever published. It features virtually all of the operas that are being performed in the foremost opera houses and concert halls today. The text is presented in its original language as well as in an English translation. To enrich the experience, a short synopsis precedes each libretto. 101 Opera Librettos is indispensable for opera lovers and everyone curious about the literary richness of the worlds most beloved vocal musical performances.

• Sales Rank: #553868 in Books
• Published on: 1996-01-10
• Ingredients: Example Ingredients
• Original language: French
• Number of items: 1
• Dimensions: 11.10" h x 2.74" w x 8.92" l,
• Binding: Hardcover
• 1474 pages

Amazon.com Review
You're never going to haul this book to the opera house, it is true, but, on the other hand, you'll probably never again have to fret over where to find a libretto for most standard repertory operas. This massive, 1,474-page (plus endpapers) volume, which could readily double as a doorstop or a booster seat at the theater, contains all the words, in their original languages (for the most part) and in English, of 101 out-of-copyright operas. The selections run the gamut from Ludwig van Beethoven's Fidelio through Carl Maria von Weber's Euryanthe, with scores of stories in between. In addition to the word-for-word libretti, a brief pr�cis of each plot is also provided.

There are some puzzling omissions--Mozart's Cos� fan tutte and Abduction from the Seraglio--and puzzling inclusions as well: Paderewski's Manru and Horatio Parker's Mona are not considered standard operas by any authority that readily springs to mind. Borodin's Prince Igor is, incomprehensibly, given in Italian and English (the Russian people improbably sing, "Ad Igor, signor nostro, vittoria"), as are Mussorgsky's Boris Godunov and Tchaikovsky's Evgeny Onegin. There are also some annoying little errors that could have been avoided with more careful proofreading ("Madam Butterfly"?), and the paper used is disappointingly cheap. Still, with these caveats in mind, The Book of 101 Opera Librettos is a very useful book for the money, a one-stop shop for many of the operas you're likely to encounter. Just be sure to read the libretto before you leave for the opera house.

Language Notes
Text: English, French, German, Italian

About the Author
A multiple GRAMMY� nominee, pianist Allison Brewster Franzetti has received international acclaim from critics and audiences alike for her stunning virtuosity and musicality, both as a soloist and chamber musician. Born in New York City, she received her Bachelor of Music degree from the Manhattan School of Music and her Master of Music degree from the Juilliard School. She has won first prizes from the Paderewski Foundation and the Piano Teachers Congress of New York as well as awards from the Kosciuszko Foundation and the Denver Symphony Orchestra. She was the recipient of two HEART (History, Education, Arts – Reaching Thousands) Grants from the Union County Board of Chosen Freeholders and the Starr Foundation, and was appointed Concert Artist in Piano and Chamber Music at Kean University in 2001. She was elected to the honor society Phi Kappa Phi in 2002. Kean University bestowed its first Graduate Commencement Performing Artist Award on her in 2003. An accomplished accompanist and chamber musician, Allison Brewster Franzetti has collaborated with some of the finest performers and composers in the world, including Sir James Galway, John Corigliano, Stephen Paulus, Lowell Liebermann, Ransom Wilson, Eugenia Zukerman, Julius Baker, Robert White, and members of major American and international symphony orchestras. She has performed at Carnegie Hall, Lincoln Center, festivals in the United States, Mexico and Europe, and on radio and television.

Most helpful customer reviews

72 of 77 people found the following review helpful.
big book big disappointment
By voicebox
I am a voice teacher,a member of the National Association of Teachers of Singing, and a professional musician. I received this book as a gift. It looks expensive, (and unfortunately is) but cheaply printed on flimsy and cheap paper. Don't try to do any quick researching, or you'll rip it to shreds. And these are NOT word for word translations! They are the transcriptions for the English versions of the opera written to somewhat suit the music which was written for the original language. They would not be what is up on the supertitles at a live opera performance. And some operas have omissions, like some missing dialogue and lyrics from the original language and hence from the English. Take heed of the editorial review, because it does have strange inclusions, glaring exclusions, and goof ups like incorrect original languages. Only get this book if you are a student, and can't get or do your own better translations. If you want a really useful book, and you are an opera lover, but not as knowledgeable as you'd like to be, get the latest edition of the New Grove Book of Operas. Or even Kobbes. Or 101 opera stories. Skip this one. Save your money.

33 of 33 people found the following review helpful.
A collection of reprinted turn-of-the-century librettos
By Christopher Hapka
The pros and cons of this book are both the natural result of what it really is: a collection of reprinted, out-of-copyright libretti from the 1900s and 1910s. These are the libretti you would have seen for sale if you'd attended the Met a hundred years or so ago, newly typeset but otherwise unchanged.

This is good in that it lets us get 100 libretti cheap; there's no way the publishers would have been able to afford new translations of everything.

On the other hand, this means that the selection is a bit odd. In general, only librettos from 1921 and before are going to be out of copyright, which explains why operas (like "Turandot") composed after that date can't be included. This also explains why operas such as "Cosi fan tutte", which was rarely if ever performed in most American opera houses, are absent--Cosi didn't really enter the American repertory until the 1950s Met production.

In addition, the book can only present the versions of the operas as they were performed at American houses at that time. This means that the book omits materially traditionally cut by whatever house they got the libretto from (most likely the Met). If that house performed a Russian opera in Italian translation, you'll get an Italian and English libretto in this book as well. And the English translations themselves are generally fairly archaic and flowery, as was the style in American opera houses at the time.

So if your needs are the same as an early 20th century opera attendee--getting a general idea of the story or a more-or-less accurate copy of the original-language libretto--then this is a good value. I find it a very useful resource just because it is so comprehensive. But if you're looking for a deep understanding of an individual libretto, or a quality modern English translation, you'll need to look elsewhere.

40 of 42 people found the following review helpful.
GREAT, BUT WITH SPELLING MISTAKES AND LIBERAL TRANSLATIONS
By A Customer
Opera is a unique and splendid art form. It combines glorious singing by soloists and ensembles, dramatic or comic acting, spectacular scenes on indoor and outdoor stages, light effects and vibrant music. All these effects depend on the lyrics contained in librettos as a paramount foundation stone. Popular and great composers paid a lot of attention to the libretto or "parola scenica" (scenic word) as Verdi defined it. Puccini struggled in search of suitable subjects for opera. Once he found them, he had stormy relationships with his librettists on lyrics, for him to get inspired and compose immortal melodies. Verdi had problems with librettists apart from censors, in his quest at compressing the action on stage for maximum dramatic effect. When he found a poetic genius (Arrigo Boito) to write for him, he dished out "Otello", a masterpiece of condensed poetry and music, which would have made Shakespeare proud of the opera based on his play. Wisely, Wagner went a stage further and wrote his own lyrics. This book under review is an innovative, monster compilation of famous and popular opera librettos, which will delight and inform operagoers. What is also very handy in the book is a faithful description (in the original language and English) of what goes on the stage. Of course, the book is heavy and thank goodness that it is a single volume, although the pages are thin paper. Otherwise, with more robust paper, there would have been the need of several volumes!
That said, reflecting on the importance of a libretto as foundation stone, I went about checking the accurate spelling of the Italian librettos (my mother-tongue) and how faithful the corresponding English translations were. On the book dust jacket, the editors wrote "COMPLETE ORIGINAL LANGUAGE TEXTS WITH ENGLISH TRANSLATIONS". I found a myriad of spelling mistakes in the Italian texts to make fire ants look like frightened and depleted hordes! As an example, in Luisa Miller (Verdi), Act II and Scene IV, the first 50 singing lines between Walter and Wurm have 18 spelling mistakes of the Italian language. Misspellings and absence of consonants and vowels, missing words and attachment of prepositions to words. It is a real bedlam! There is a claim that the English translations are full. Surely, they are full of sentences that do not correspond to the Italian ones. At times, the meaning conveyed sounds very poetic but is not faithful to the original intention. As an example, in Tosca (Puccini), Act III, Mario Cavaradossi, reminiscing one night of love with Tosca, sings "...mi cadea fra le braccia"(she fell in my arms) translated as "In her soft arms she clasped me" and "le belle forme disciogliea dai veli" (beautiful forms she disclosed from the veils) translated as "A thing of beauty, of matchless symmetry in form and feature!". This is very liberal translation, poetry within poetry!! I may accept the poetic versions in English but a very useful book of complete opera librettos with glaring spelling mistakes is inexcusable. Great pity, because the editors only needed to do a thorough spelling check of the Italian and all other original language librettos. Then, the book would have deserved 5 stars. There is still time and opportunity for the editors to do it. Their effort in producing a great book deserves more accolades than they received from readers so far.

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• Sales Rank: #493786 in Books
• Brand: Brand: Rutgers University Press
• Published on: 2005-09-08
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 1.38" h x 7.76" w x 9.48" l, 2.22 pounds
• Binding: Hardcover
• 384 pages

Features

• Used Book in Good Condition

About the Author
Kate Fitz Gibbon is a consultant on cultural property and a specialist in central Asian art. She lives in Santa Fe, New Mexico.

Most helpful customer reviews

8 of 11 people found the following review helpful.
Not "Balanced," but worth a read if interested in the subject
By KAN
This book is touted as a "balanced" discussion of the subject matter. Not so. It is decidedly slanted towards the viewpoints of museums and collectors and shortchanges other viewpoints, including those of archaeologists and others determined to halt looting of cultural sites and the trade in illicit antiquities. One example of bias: While reading the chapter on the Portrait of Wally litigation, I was conviced that the author did not understand the legal process because so much of what of what he lamented actually made sense in terms of how a litigation progresses. Was I shocked to find that not only was the author a lawyer, but he was a lawyer for one of the parties in that lawsuit (notably the one who didn't win many of the court's rulings). How can you expect a balanced perspective from someone like that? He is entitled to his opinion, but he was a sore loser who twisted the description of the legal process in order to make his point. While I found it worthwhile to read these perspectives, I felt that I had been duped into buying this book on the premise that it actually represented many points of view.

8 of 12 people found the following review helpful.
Rises above the hyperbole
By Wayne Sayles
Who Owns the Past is exactly what it purports to be, a compilation of views written by people with a wealth of knowledge and direct experience in the intricate world of cultural property preservation. The Review by Amy-D above is unfortunately an ideological polemic that belongs in a blog, not in a review. Anyone who wishes to learn about the issue must study and evaluate the arguments presented by diverse and sometimes conflicting interests. This book presents a position that is certainly germane to the discussion and one that any rational thinker will be able to appreciate. It is insightful, intelligent and surprisingly inexpensive. I highly recommend it.

8 of 15 people found the following review helpful.
The below review is extremely unfair
By W. Mitty
This book is not a multi-page lamentation on how various people are "oppressed" by the evil rich collectors who steal their culture for the sake of owning curios. This book is written from a very balanced perspective that takes into consideration the textural aspects of this issue, from both a cultural patrimony standpoint and one of the antiques trade.

If you are looking for a book that will reaffirm your belief that the "evil rich collectors" are oppressing the poor ethnic peoples, this isn't it. If you are looking for a book that is blame-centric and seeks to demonize people who can afford to buy antiquities, this isn't it either.

If you are looking for a cool-headed, honest assesment of the issue that takes into account all parties involved, you will be well served with this book.

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Who Owns the Past? Cultural Policy, Cultural Property, and the Law (The Public Life of the Arts)From Brand: Rutgers University Press PDF

Who Owns the Past? Cultural Policy, Cultural Property, and the Law (The Public Life of the Arts)From Brand: Rutgers University Press PDF

[Y196.Ebook] Get Free Ebook Fiber Optic Installations: A Practical Guide, by Bob Chomycz

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This text presents the basic principles of the installation and operation of fibre optic systems in varying environments. The focus throughout is on the nuts-and-bolts details of installation using prevailing industry standards.

• Sales Rank: #3575117 in Books
• Published on: 1996-04-01
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x .91" w x 6.10" l, 1.10 pounds
• Binding: Hardcover
• 234 pages

From the Back Cover
No matter how much or how little you know about fiber optics, this new guide will help you put together safe, efficient systems Conventional electrical wire techniques simply do not apply to fiber optics. If you're one of the many engineers or technicians now required to work with fiber optics, you'll appreciate the wealth of practical information, presented in easily understood language. Using a nonmathematical approach, this guide gives you the principles for installing and opearting fiber optic systems for indoor and outside environments. Fiber optics engineer bob Chomycz provides reliable information that speeds your projects along, including: Safety measures specific to fiber optic work; Handling techniques; Outdoor and indoor cable installation; Splicing and termination methods; Using patch cords and connectors; Power meter and OTDR test procedures; Lightwave equipment; System integration; Maintenance procedures. You'll understand commissioning, testing, troubleshooting, and repairs--everything you need to know about fiber optic communications systems. for example, Chomycz provides you with all the details you need to safely install a fiber optic cable between two locations without damaging the cable or causing personal injury. With the wealth of information in Fiber Optic Installations: a Practical Guide, you'll be able to design and install a fiber optics system that's wasy to implement and works the first time it's tested.

Most helpful customer reviews

4 of 5 people found the following review helpful.
This book is an excellent reference to telecommunication
By Marcos Lopes Britto
This book is an excellent reference to telecommunication engineers, providing features, equipments and data about Installation Optical Network. It's easy to read, besides being one of the most important literary composition about this matter. It's useful to optical projects, exhibiting the technical data by a practical way. So, without the slightest doubt, it's important to purchase it.

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[R484.Ebook] PDF Ebook The Book of Letters: How to Write a Letter for Every Occasion, by Peter Breen

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This new edition of the classic guide to letter writing offers readers practical solutions to a number of everyday personal, consumer, business, and legal problems. It also contains handy tips for letter writing using non-traditional methods such as e-mail and fax. Included are standard form letters for numerous situations as well as invaluable tips for communicating the written word in the most effective way.

• Sales Rank: #1883391 in eBooks
• Published on: 2002-09-01
• Released on: 1993-04-01
• Format: Kindle eBook

About the Author
Peter Breen is an independent member of the Upper House of the New South Wales Parliament. A former NSW Chairman of the Australian Small Business Association he has practised as a solicitor and barrister since 1973. In 1999 he successfully moved for an inquiry by the NSW Parliament into a statutory Bill of Rights for NSW. He is currently preparing a report for the Parliament on the results of the inquiry.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Five Stars
By Rosalba Fajardo
This book is a fast guide that improves your English in the business and social life.

0 of 1 people found the following review helpful.
Four Stars
By star
Very good book

5 of 5 people found the following review helpful.
Putting a legal head on a writer's shoulders
By Michael Meanwell
How often have you been asked to write a letter about a faulty product, outline an insurance claim or draft a complaint to a government agency?
If you're like me, it happens a lot. Friends and family automatically assume a writer will know just how to handle any number of business or legal communications.
Fortunately, there's a perfect guide to help you navigate around legal minefields. And it comes in the form of 'Book of Letters: How to write a letter for every occasion' by Peter Breen.
Breen is ably qualified to write this book, having been a practising solicitor and barrister in Australia for almost 30 years.
Even though this book has been written for Australians, the bulk of the letters can easily be adapted to suit your requirements.
'The Book of Letters' offers letters which cover a wide variety issues and occasions, ranging from defamation, over-charging, car accidents and insurance claims to goods & services, advertising, real estate as well as employment and buying & selling a business. In addition, Breen provides letters for neighbors, debtors and creditors, and government regulators.
But, most important of all, Breen shows you how to write effective letters, including the structure, formalities and strategies for success.
Breen's book has been a bestseller since its original publication in 1986. This updated edition presents standard form letters for almost one hundred different consumer and small business issues as well as tips for communicating in the most effective way - an excellent guide for the general public (and a good reminder for writers).
As Breen puts it:
"Good letters that hit the mark have four features you will soon recognise and emulate in your own correspondence. You will also learn how to address the person who you are writing to and how to close your letters. It concludes with strategies you can employ to simplify letter writing, including some hints about language."
"People who write effective letters usually write with passion and to a plan," Breen continues. "While most of us are passionate in our letters, writing to a plan may not be so simple. We need to begin with the four key features of effective letters:
� Person - who you are writing to
� Issue - what kind of letter you are writing
� Purpose - what is the connection between the person you are writing to and the issue
� Action - what kind of action do you want the person to take?"
'Book of Letters' is a great thought-starter and guide for writing a variety of legal and business letters.
Next time a friend asks you to write a letter - you can (hand them this book)!
-- Michael Meanwell, author of the critically-acclaimed 'The Enterprising Writer' and 'Writers on Writing'. For more book reviews and prescriptive articles for writers, visit [...]

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